Thursday, July 28, 2011

#157: The Snick vs. the Euroslash

Soho, NYC

In honor of today's slashed-seven, I'm re-posting some of my musings on the so-called "snick." It's worth going over to the original post to read the comments and see how my astute readers helped me arrive at the name.

There's something irresistibly European about the 7 with a slash through it. It's rare to see it pop up on this side of the Atlantic and it usually appears only in handwriting to differentiate it from the handwritten 1. I had a brief phase some time ago where I gave the 7 a whirl in my own correspondence, just to see if it lent me that certain old school European je ne sais quoi. The gesture was enthusiastic but short-lived, the handwriting equivalent of dyeing my hair with Manic Panic, or like the three weeks where I decided to add the French accents over the "e"s in my name. Most of these re-inventions die out mercifully quickly. The slashed-seven, alas, does not routinely flow from my quill. But when I see one looking as good as this 79, I want to kick-start the pretension all over again.

But back to the EU. Taking the idea further, there's a striking stylistic similarity between the 7 and the euro symbol, officially adopted in 1997. It could be coincidence, but here's food for thought. According to the European Commission:

Inspiration for the € symbol itself came from the Greek epsilon (Є) – a reference to the cradle of European civilisation – and the first letter of the word Europe, crossed by two parallel lines to ‘certify’ the stability of the euro.


The creation fable is disputed - aren't they all? - by graphic designer Arthur Eisenmenger, who claims to have developed the symbol a quarter century before. Still, it's impossible not to admire the simplicity of the design as well as the consistency with not just the 7 but also other currencies. Beside the euro, the pound and the yen also use horizontal lines. (Though as a devotee of the "Blog" of "Unnecessary" Quotation Marks , I'm skeptical of the commission's claim that drawing = through the letter C will "certify" economic stability.) The quest for the ideal typographical icon is spreading to other countries and regions as well. Driven by money-grubbing motives Inspired by the elegance of the euro sign, designers are working right now to develop a currency symbol for the Indian rupee . Sharpen those pencils and break out the Moleskines, folks. The Indian government wants you.

But the question remains - and maybe my readers can help me out here - what is that little slash through the seven called? I found myself Googling all versions of "7," "squiggle," "slash," "typography" and consulted an article on the excellent I Love Typography site. Serifs, counters, ascenders, descenders, spines, stems, terminals and ligatures: there's a word for every part of a typeface. Everything, it seems, except the 7. If there are any typographer lurkers out there who can enlighten me, by all means. In the meantime, I'll open the question to my language lovers (you know who you are): if you had your druthers, what would you name the squiggle through the 7? I'm putting in my vote for the Euroslash. But hey, this is a democracy, right?

3 comments:

Rosie said...

i vote snick.

all the way through reading this i was trying to remember whether i use one or not. i eventually scribbled out my phone number as a test - turns out i do. i can't remember if it's how i was taught in school or if it's an affectation.

VioletSky said...

I've always called it a slash, but I like euroslash.
I have been slashing my 7s and Zs for so long now that if my pen gets distracted and moves on, the 7 or Z just looks naked without it and I must go back and slash the heck out of it to feel satisfied that my lettering is complete. btw doesn't it have the same function as the slash in the f, except the f slash became a permanent feature.

Therese Cox said...

Rosie - I think the snick gets way more usage outside of the USA, so it's probably not an affectation unless you want it to be - a more sophisticated equivalent to dotting your i's with little hearts. When I see a snick here, it's a little like spotting a unicorn.

VioletSky - A well-dressed seven is important! Your observation about the "f" calls to mind some of those old documents where the reverse is true and each "s" looks like an "f." I saw an early printing of Milton's masterpiece at a museum and enjoyed very much calling it "Paradife Loft" the rest of the day.